An icon that had outgrown its own identity.
La Bella had been making strings since before most guitar brands existed — strung on instruments played by Willie Nelson, James Jamerson, Tony Iommi, and generations of working musicians in between. But the identity carrying that legacy hadn’t changed since the 1990s, and it showed. The logo felt dated within the sea of competitors. Packaging varied from series to sets with no unified system. And the brand’s most valuable piece of equity — the “La Bella Girl,” a piece of illustration history created by legendary poster artist Gunther Keiser in the 1970s — was buried rather than celebrated.
A hundred-year-old brand doesn’t get to look like it. It has to earn a place next to the artists playing its strings today, while still carrying the weight of everyone who played them before.










